Monday, November 30, 2020

No Longer Human(人間失格 太宰治と3人の女たち) Japanese Film Thoughts

 





    No Longer Human was originally a Novel written by famed author Osamu Dazai in 1948. The novel was considered to be his best work because of it's dark humanistic nature and he took his life shortly after the novel was released. Over the years the novel has been reprinted many times. There's also been anime adaptions as well as other series that take influences from Dazai's work such as Bungo Stray Dogs or the Junji Ito manga retelling from another perspective.  Then the film was remade in 2019 directed by Mika Ninagawa and written by Kaeko Hayafune, starring Shun Oguri, retired actress Erika Sawajiri, Fumi Nikaido, Rie Miyazawa, Koji Seto, and Kengo Kora. We pretty much have an all star cast here if you know anything about Japanese cinema.  The film opened at fourth place in the Japanese box office last year. 






    A famous author runs from women to women to cure his writer's block. One of the women includes his own wife. He must write the perfect novel that will leave an impact on all who read it....






     On Longer Human's trailer will make not think too much of this film to be honest. I thought the director was going more for a comedy film. Since I know a little about Dazai's original novel,(only because I ready Junji Ito's version) to see that they took a dark depression story and made it into a playboy's experience didn't do too much for me. However, I still got my hands on the film because this will probably be Erika Sawjiri's last film so I had to check it out. This new version ended up giving me over two hours of a man playing games on three women. At least the events are kept interesting by the characters as the plot very much feeds on human turmoil. Even the lack there of..... That's what happens when being around toxic people normalizes your pain you experience from those same people. I had witness to a bunch of people swirling in a spiral for two hours with one man in the middle controlling it all. There isn't anything funny unlike hoe the trailer might want you to believe. You get more of a sexual physiological plot that won't make you feel any way about what unfolds. Especially if you know the faith of Dazai already. I enjoyed the effort that was taken in keeping No Longer Human alive. Of course, information was left out about Dazai's youth, that caused him to look at life the way that he did but you can still enjoy this film without knowing anything about Dazai's novel. 







     Shun does an amazing Job as Dazai only because he took the bad boy persona he has portrayed in other roles over the years and slapped it into his version of the character. He plays an awful person that actually knows he's an awful person. Every other character that's involved with him are pigeon brains who should have had stupid written on all their foreheads.  I didn't like any of the characters at all which might be the beauty of this film. You don't like anyone but you still keep watching. I wanted to feel sorry for his wife. Then you realize that you can't because she allowed the cheating to go on. Rie's performance really stuck with me toward the end when she seemed like a wife who finally had weight taken off her shoulders. All the cast played stupid character's controlled by Dazai very well. My only complaint is I would have liked a boiling point when the conflict boiled over into a fight or a slap in the face. That never happens though. 







   The cinematography was very well color coordinated. Dazai's kimono always matched the Azura blue paint job on the walls of his study. The color is such a pretty blue that caught my eye. Capturing the structure inside older Japanese traditional houses in dim lighting is hard to do. Still, the filming on location looks great in each scene. Including the different art designs on the sliding screen doors. 







   No Longer Human does what it set out to do: retell Dazai's story in a reformatted method for new generation viewers. This version doesn't mess up the prestige that the original novel already created. You will on the other hand, finish this film with questions about the mystery of Osamau Dazai himself.





Saturday, November 28, 2020

Pentagon(펜타곤) - WE:TH Mini Album Thoughts(Kpop)

 




Track List:
01. 데이지 (Daisy) *Title
02. Beautiful Goodbye
03. 그해 그달 그날 (Nostalgia)
04. You Like
05. Paradise (별이 빛나는 이 밤)






    I always feel that Pentagon has a ton of ideas in their minds but they don't know how to execute these ideas to materialize a hit song that will stick with listeners. They have their fanbase in Korea as well as in foreign waters however, they never win award shows nor do people pay them much attention on a grand scale. I'm not of those listeners that wants them to win because I hear the potential of what they should be. Instead they try so hard to appeal while not being the norm so much that they trip themselves up. I've watched this happen from mini album to mini album. Daisy honestly isn't any different. Title track is passable enough since emotional painful love sells well in South Korea. Things just fall apart when you listen to WE:TH. Here listeners get another blazing pop beat mini album that could have kept the same idea created by Daisy. Instead the album throws a whole bunch of songs together like everyone is suppose to pretend like their sounds flow together. If you are looking for the saving grace of their new effort, I would say that would be Paradise. It's a great dance track that could have been the title instead of Daisy... Not that I'm mad at their decision. Beautiful Goodbye isn't too awful either if you like their older tracks that have the same sound. A solo track is hidden on the CD version of the album that is alright but could have ultimately remained a secret that none of the listeners could have ever known. 





  The member who has the deep grubby voice needs to sing more. Whenever he sings lead, Pentagon's songs stand out more in my opinion.  Leave that wannabe gangsta rap imitation alone... I get so tired of hearing EH! YEAH! at the beginning of kpop songs...... Especially when the raps don't actually be about it...... 




    I'm tired of mini album that only have two good songs out of the five or six that we are given. I'm going to need Pentagon to ask Monsta X to hand over the number of the foreign producers they working with cause these boys are in need of help. They been drowning fast for awhile..... 




MONSTA X(몬스타엑스) - Fatal Love Album Thoughts(Kpop)

 




     Monsta X has been promoting their new full length third album titled Love Killa for the past couple of weeks. They even won an award on music core due to viewers votes. It seems like just yesterday that I was listening to All About Luv followed by their Fantasia mini album. These guys stay busy and their fandom: Monbebe seem pleased. 






Track List:
01. Love Killa *
02. 갈증
03. Thriller
04. Guess Who
05. Nobody Else
06. BEASTMODE
07. 대동단결
08. Night View
09. Last Carnival
10. Sorry I’m Not Sorry

    



  Love Killa the album respectively. That track exudes a bad boy attitude without the music video due to Monsta x's rappers, I.M. and Jooheon being in their natural environment. The beat drop at the start of the track gives a boast the the whole track and the percussion with the audio edits layered under it signal defiance. I noticed the vocal edits produced in the backing tracks that follows the main vocal track as support. Those producers mixed Love Kill really well as a lone track. Things open out to welcome in new genres as the album plays through the ten track album. There's a jerking force that pulls the album toward a more melodic rap category when Jooheon and I.M. have anything to say about Monsta X's musical direction. Stand Together was created as an all you can eat dinner for the rappers. As I listened, I could tell that many foreign and Korean people had a hand at creating this track. Some of the sounds are very slap damp in your face like nothing that has come from any other Kpop boy band in recent years. Then heading over to the more dance tracks that still showcase a whole lot more percussion that still allows listens to appreciate the other dynamics such as the Chinese flute in the ending seconds of Last Carnival or the operatic vocals used as an intro on one of the tracks. Violins also accompany the beat to create a commanding yet sentimental vibe. Sometimes the tracks are too bogged down by the hip hop influences. Other times time they need a bit more in the chorus to make it less boring. I did enjoy the smoothness in Night view which was a more tranquil track on Fatal Love. It's vocal performance on the mid tempo dance beat was a different side of the guys in an album full of testosterone. Sorry Not Sorry ends the album on a acoustic ballad turn after all your ears have to go through. I enjoyed my listen of Fatal Love overall.   





    Each album shows that Monsta X is coming more and more together as a group. The vocals seem more inline with the rapping unlike their earlier works where the vocals seem to feel more tacked on to the rapping. Jooheon always impresses me as a rapper. His drive to express himself artistically comes out in his own music as well as Monsta X's releases. 





   Fatal Love didn't have anything "cater to the masses" cutesy songs included this time around. I liked that very much. I knew that they became one of my favorite Kpop male groups from this new generation for a reason. 




Monday, November 23, 2020

BLUE ENCOUNT - Q.E.D Album Thoughts(J-rock)

 






    Blue Encount is a Japanese band that I fell in love with after seeing a couple of this music videos on Youtube. Their live performances made me love them even more so I waited for them to have another full length album release. They've released five album releases so far including Q.E.D.: their newest album. Most people know them for providing songs for the popular anime such as My Hero Academia. Japanese people have probably hear their songs in dramas/television abs.  Sadly, these insert songs never gave them large mainstream success in Japan outside of one top ten album. I'm hoping they get at least another top ten album or at least a top twenty spot. 







Tracklist

  1. STAY HOPE
  2. Bad Paradox (バッドパラドックス)
  3. Polaris (ポラリス)
  4. FREEDOM
  5. 棘(Thorn)
  6. VOLCANO DANCE
  7. HAPPY ENDING STORY
  8. あなたへ (To You)
  9. ユメミグサ (Dream Grass)
  10. Humming Bird(ハミングバード)
  11. 喝采(Applause)



    The single releases leading up to Q.E.D were really good in my opinion. I normally get a feel for what the album is going to be like based off the singles and I was really excited for the new album. Q.E.D. didn't disappoint. One thing about the album that I loved right away was the track lineup. Outside of Stay Hope, the first few songs are all the singles that hit hard, Opening Q.E.D with a bang. Stay Hope slides in there with the other songs like a long lost limb. Bad Paradox is a new departure from Blue Encount's normal style. The track has a dance soulfulness in the chorus that doesn't compromise the bands usually fundamentals. The sneaky slight into the guitar playing adds a powerful punch to all who listen. Polaris also booms on strongly with loud instrumentation as the perfect anime opening. This track should have gotten way more love than is did in Japan. I feel mostly foreign fans of My Hero Academia supported the track online. It's a very nice love song that might not seem like one if you don't speak Japanese. Humming Bird along with another song about the band's younger days(I can't remember the name..) were other singles that was released digitally ahead of the album. I can't really use any other words to describe this album except but to say that it's loud in a cool powerful way. Slower tracks give the same tone. 





   The band plays so loud because their frontman has a loud voice. The vibrato in his longer notes are awesome. He sings loud live too. Shunichi Tanabe has become one of my favorite J-band frontmans. He's up there with Taka from One OK ROCK. 




   Q.E.D is a good album and I hope it sells well in Japan. Blue Encount continues to be that gem who flys under the radar. If you know them then you know or you might have heard their songs without knowing the band themselves. Check out their past albums because it's all good. I like this album more than their last mini album..... 

  




Wu Qing Feng(吴青峰) - 冊葉一:一與一 (Ce Ye Yi: Yi Yu Yi) Album (CD 2) Thoughts(Mando- Experimental)

 




    Wu Qing Feng is a Taiwanese singer that is well known for his penmanship on lyrics. He has wrote songs for the band he founded called Sodagreen as well as for other artists. Sodagreen has had a very long career with eight albums other their belt and award wins for their artistry. Recently their has been news reports that copyright disputes have been brought to court between Wu Qing Feng and his label. This happened in the same time frame as his second album release called Ce Ye Yi:Yi Yi Yu Yi. I believe the album is mostly a cover album. 





1. 寧靜海 Sea of Tranquility
2. 等 Waiting
3. 年輪說 Traces of Time in Love
4. 困在 Imprisoned
5. 一點點 Bit by bit
6. 迷幻 Hallucination
7. 月亮河 Moon River
8. 極光 Aurora





       I wasn't too interested in this album due to the bad song roll out but I still decided to give the second CD of the album a try because I'm a fan of Sodagreen. The tracks are very experimental to a point that the production is all over the place. It' not in a good way either.... There's certain producers who can take two songs that are different from each other in sound, then still put them together using the right transition. Ce Ye Yi doesn't do this at all. What I will say is that the track's willingness to bring a new style to the listener. I mean who produces a swing song that suddenly turns into an alternative rock songs? The album from there is mostly slow down songs that I wasn't too into. He's good at ballads that have a rock style to them. Even with all the good addition to the instrumentals such as the violin and guitar, Vocaloid Wu's album was kinda boring. The tracks have a unique flare. Especially the autotune vocaloid track that's a famous style in Japan. Wu's talent was not translated into an interesting listen for me. I do still love Sodagreen though. Gosh.... It's really been three years since they've release something? Wow......






     Wu's vocals are not for every kind of song. He has a hight voice that yodels the higher his voice gets. Some of his vocals get a bit out of hand. He screams randomly at times but I guess he's just having fun. Other tracks just have his singing sounding odd. I like his voice in the rock genre of music  the most.






    Ce Ye Yi: Yi Yu Yi made me miss Sodagreen's music. I'm not too big on Wu Qing Feng's solo albums. I'll just keep looking out for Sodagreen's return to music.  




Monday, November 16, 2020

The Invincible Dragon(九龙不败) Chinese film thoughts(2019)

 








   I honestly don't want to spend much time blogging about this film. It was a waste of my time and I don't want to waste your time by making you read this long drawn out post. Invincible Dragon was a film I picked up while not knowing absolutely anything about the film. I'm not familiar with Max Zhang or Anderson Silva but they seemed to be the main attraction for this film's allure. Fruit Chan made me think what he was thinking about when he was sitting in the director chair, cause is sure must not have been making a good movie. 




      A washed up cop tracks down a lady police killer after he kills his lover a year before. 







      Invincible Dragon confirmed all my fears about Chinese martial arts film's recent direction straight into the trash can. These movies in recent years tend to be all action with not story of substance behind them. I can appreciate the attempts at trying to flush out the two main characters however, the acting was so stuff that you wanted to look away whenever there was speaking lines. The storyline felt uninspired to the degree that I couldn't believe that none else involved in the making of this film believed it either. I did enjoy the fact that Taiwan actually allowed a black character to have a major part in a film that even somewhat broke stereotypes about Black men.... Especially the negative stereotype of black male fathers.(they are seen as men who have asian baby mommas then leave the country in Asia too) Silva is actually portrayed as a good father to his fun, even though the young child actor was a better actor than him. He even spoke Chinese...... What I got the most out of Invincible Dragon was the more positive Black male representation in East Asian Cinema. Cringe lines and all....





 



   Taiwan and China has created some beautiful looking films last year so it doesn't make any sense that I'm still seeing Windows 98 looking special effects. That dragon paired with that train crash scene could have used touch ups with a more updated editing software... preferably one from this decade. The fighting scenes/gun shoot outs were fine as a filler in between all the God awful script. 








    I honestly think Invincible Dragon depended heavily on having a black costar to draw in viewers. It's been done before but nothing else of substance is left in the storyline after you look pass this obvious gimmick. Watch this film after the price goes down to almost nothing you guys. Like one dollar bin price tag... otherwise, you're wasting your money. 


   




   

Monday, November 9, 2020

Children of the Sea(海獣の子供) Japanese Anime Film Thoughts(2019)

 




   Children of the Sea is an animated film inspired by the manga created by Daisuke Igarashi over a decade ago. The film was a huge success in Japan despite this fact, selling over two million tickets. Mega popular singer song writer Kenshi Yonezu had a hand in making the theme song also titled after the film. The animated film adaption was directed by Ayumu Wanatabe and written by Eiko Tanaka. Most reviews of the film consists of viewers not understanding the film's second half. 



   A girl named Ruka lives on the coast of Japan's ocean area where she is an outcast at home as well as in school. She goes to the aquarium that she remembers from her youth one day. There she meets two boys who can breath underwater due to being raised by sea animals. She is drawn to one of the boys during her supposed uneventful summer vacation.... Not knowing that she just stepped into a process that will shake the foundation between humans and nature. 





   I don't have any thing too different to say about this film from all the comments that were made online. I do tend to look at films from a whole new perspective than most viewers. Especially if you're someone who doesn't know how to use their imagination and expects most films to just give you the storyline very cut in dry. The first half of Children of the Sea is very straightforward in it's plot progression. This is something we can all agree on. Events are kinda like a science mystery that most people can understand, until Children of the Sea starts to get a bit too deeply abstract for most viewers to understand. If you're not a reader or someone who doesn't like to read in order to stretch one's mind, then you're going to be like a deer in a tractor trailer's head lights during Children of the Sea's climax. A lot of comments I saw were people asking "What the hell did I just watch?"after the film just ended. These comments actually made me hold off from checking out this film due to me not wanting to watch something that's so difficult to comprehend that it messes up the viewing experience. I found that I could follow the film pretty well all the way through using the clues given. I did however have questions about Ruka's involvement in everything. A ton of Scientific content is referenced, You don't need to know much but a little understanding of the gravitational pull and how it connects to the Moon with the comets will go along way when watching Children of the Sea. What's bad about this if the film just expects you to know a little oceanography(I mean some of it is common knowledge if you paid attention in school) which sadly a lot of people do not so what was being conveyed went over people's heads. I liked the film as it was overall outside of questions about Ruka's background. The scene after the credits left me with more questions.....








     The drawing for the character models are like nothing you will see in any other anime film. Don't start me of the balanced mixture between computer graphics and animation that's done so beautifully that you can enjoy the film for the under sea visuals along. Back to the character models though, I loved how the eyes for the three man character's were like a mirror reflection of the sea. Also, how the artist actually drew full lips on each human character. You don't see that to often in Anime. Children of the Sea's manga artwork was one that stood out too. I'm not going to lie, I wasn't too impressed with the manga version's artwork since I kept putting the manga back on the self every time I picked it up in the bookstore. However, the transition to animation was done very well by Studio 4C. 







    My theories about the characters are one's I will keep to myself as to not spoil the film. I do believe the main characters are in this story for a sole purpose not common in many other stories. Some viewers say that the two brothers didn't have enough character development. Did anyone ever thing that this was done on purpose? Plus the backgrounds of the two were said to be abandoned in the sea as children but none really knows if that's true of not. As I watched the film unfold, I found myself coming to the conclusion that this two characters were created to serve a purpose. No matter how sad you might feel when you realize this. The two boy's seemed to know their fate before anyone else. Ruka had the most character development even at the cost of the other two characters which I also think was done on purpose. 







    Children of the Sea is similar to an abstract painting that many people can all look at while each person sees something different. This film defiantly isn't for everyone because it requires you to pull certain ideas from out of your brain. That can be hard when some of us never had those ideas to began with. 




Monday, November 2, 2020

E.SO(瘦子) - OUTTA BODY(靈魂出竅) Album Thoughts(Mando-Rap)

 



   Taiwan really has become the land of independent rappers and singers making it big from social media. If someone had told me that so many talented acts would have come from Youtube, I would have looked at you like you were crazy. Especially during the era of Wang Lee Hom and Jay Chou(not that these two aren't still kicking cause they defiantly are.... Don't get me started on JJ Lin's reign...). E.SO is apart of this new generation of rappers who rose to fame due to garnering a fanbase on the inter webs. His album is called Outta Body. 




01. INTRO
02. Don’t Worry About Me
03. Follow You
04. Hello Beautiful
05. CHANGE
06. 稱讚她的美 PRAISE
07. I Wish I Was There
08. Money Bag
09. So Good To Me
10. Something I Don’t Need
11. 她沒在看我 She Ain’t Watchin’
12. 伯父 Bo Fu
13. WAIT
14. 太陽 When The Cloudless Day Comes









    I had somewhat of expectations for this album after watching some of his videos. However, I'm not going to lie, Outta Body gave me a lot of boring tricks in it's production.... at least for the first four or five tracks. Tracks that use repetitive choruses where you say the same phrase over and over again. Using English might seems cool to Taiwanese listeners but to me their just worrisome. I don't even like when American rappers do this. Don't you have any more lyrics up your sleeve? The tracks were also really short for some reason. E.SO starts to find his rhythm during certain parts of Outta Body.  Moments such as I Wish You Were Here where he does a good mixture of singing and rapping which would remind you of old school Jay Chou. He has Jay's vocal style: A kind of laid back harmony which smooths out the core of most of the tracks after track five. The album actually gets better from there but sadly the great moments of Outta Control feel cut short by the tracks's lengths. The raps improve too after he gets more in the pocket of the beat. Latter tracks in the album really showcase the best E.SO has to offer. It's sad that you have to listen to a song about his Moneybag before you get there though.... That was the only wannabe "out in this Taiwan street gangster" track that I kinda liked. It took about two listens to get me to warm up to it. 





    I absolutely love the whole mood when he meloraps. He's not a conventional singer but he's good enough to make his own songs sound good. His flow sounds the best over either an acoustic sound or an old school RnB beat. I caught that he tried to take his sound really old school soul in one of the latter tracks on the album.  I'm not mad at him. Outta Body should have cut out the filler tracks to make the whole album seem less like a demo tape.